简介：애처가인 산부인과 의사 나동국은 퇴원한 아내를 위해 제주도로 여행을 갔다가 아내는 치한들에게 강간을 당해 자살을 한다. 동국은 아내를 잊지 못해 제주도에 다시 찾아왔다 가수의 꿈을 가진 루치아를 만난다. 어느날 루치아는 상류사회의 미녀를 공급하는 조직에 걸려 댄서로 전락하게 된다. 그러나 동국은 그녀를 집에 데려와 보살펴주고 결혼한다. 두여자를 성폭행으로 잃은 경험이 있는 동국은 신경성 착시증세로 수술사고를 일으켜 폐인이 되고, 루치아는 그를 위해 집을 나간다. 동국은 루치아를 팔아넘긴 악당을 찾아 처절한 복수극을 벌이고 그들은 다시 만난다.一位爱国妇产科医生或东国人前往济州岛出院，妻子强奸自杀。东国遇到了回到济州岛的露西亚，因为她不能忘记她的妻子。有一天，露西亚陷入了一个为上流社会提供美丽的组织中的舞者。但东国带她回家，照顾她。再加上两个女人强奸的经历，东国成了焦虑症的观察者，露西娅离开了他的家。该国出售露西亚并洗劫了反面的恶棍，以寻找去世的恶棍，并且他们再次见面。
简介：First hero, George gets a big order by billionaire. also that in order to "bend" to such a powerful man, he arranges a big orgy by inviting silly girls ...
简介：Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)